Primroses

Spring has FINALLY come to Knoxville! The long dreary days of winter are behind us. The painting above is my first floral of 2010. I am starting a painting of Dogwoods and will be sketching irises.

Lemons and Tangelos

Lemons and Tangelos

Often when looking for a new subject, I visit the produce department of a quality food store. On one of my visits I selected some brightly colored citrus. The painting above is the result.

Exhibition Entries

Friends and followers of this blog know that I enter several national exhibitions every year. Entering competitions helps me set goals and keeps me striving to improve. The following images show the paintings that have been accepted so far this year.

"Waters of the Smokies I" was accepted by Frank Webb to be in the33rd International Exhibition of the Watercolor Art Society - Houston, March 6 - April 9, 2010.

" Pre-Teen Cool!" was selected by Judy Morris to be in the 31st National Exhibition of the Georgia Watercolor Society, April 10 - May 20.

" The Wonder of a Balloon" was selected by Soon Y. Warren to be in the 40th Annual International of the Louisiana Watercolor Exhibition, May 8 -28, 2010.

"En Garde"

"Persimmon Bounty"

Two paintings, "En Garde" and "Persimmon Bounty", were selected by Jean Grastorf to be in the Gibson County Visual Arts Association Spring Show 2010 in Trenton, Tennessee.

"Party Time"

"Madrone"

The two Paintings above, "Party Time" and "Madrone" were selected by George James to be in 32nd Exhibition of the Tennessee Watercolor Society, held in Chattanooga May 16 - June 25, 2010.

All of the shows mentioned above have outstanding jurors. Having my paintings chosen by artists I admire has a very special meaning for me.

Puppet Play II

Here is my latest painting, "Puppet Play II". My twelve year old granddaughter was a gracious model. This second painting of Kimberly shows more of her animated expression. She has the rapt attention of the zebra hand puppet.

Puppet Play

I needed something different to paint, so I asked my twelve-year-old granddaughter, Kimberly, if she would she would pose for me. We tried several positions and then added the hand puppet. The session became much more relaxed. My only regret in this painting is that her eyes are hidden in shadow. Hopefully her blue eyes will show better in the next puppet play painting.

It's a Party!

The happy little girl in this painting is my favorite model. Her name is Jessica Obonna. Her parents are from Nigeria. I first painted Jessica in 2008, once when she was nine months, and a second time when she was fifteen months. Those paintings can be seen in the May, 2008, post.

Jessica is shown once again at a party. It is her little brother's first birthday. The party room is filled with active children, but it is the mylar balloons that capture Jessica's attention. The shiny mylar surface catches her profile and some of the action in the room. Mylar balloons were a challenge to paint, but I had fun with this.

Candy Cane Ninja

Merry Christmas Everyone!

This is the Christmas card for 2009. I have used images of my cat, Ninja, on my Christmas cards for eleven years. My black diva will celebrate her eleventh birthday on Valentine's day 2010. Each year it is a challenge to come up with a different idea for the card. If you are curious, you may scroll down to the December 4, 2008, post called "Introducing Ninja". You will see two paintings of the black girl and ALL of the previous Ninja cards.

Although a true demanding diva, Ninja has been a very loyal and loving companion. I just recovered from a brief bout with the flu. Ninja would not leave my side. She watched every move I made and loudly meowed her concern.

Madrone

This is a portion of a tree I saw in Los Gatos, California, on my last visit. I love the texture of the bark and the wonderful twisting branches. Other madrones on the property are straight and vertical. The main trunk of the tree I chose to paint is a long, gray shape that lies horizontal to the ground. The portion I painted looks like new growth, a rebirth of the madrone. I wish the tree could talk and explain what must have been a very dramatic history.

Strawberries

This is a new painting. It was "in progress" for longer than I care to remember. It died and was resurrected many times. Since I am tenacious to a fault, I kept going back to try to save it. The composition was used a few years ago on two smaller paintings. Since I like the design on the placemat, I wanted to try a larger version. This image measures 14" X 20", framed it is 22" X 28". Comments are welcome.

chrisbeckstudio.com

Today is very special. My California artist-friend, Chris Beck, featured my watercolors on her showcase blog. If you have not seen this site, please go to chrisbeckstudio.com. Click on "MY Blog" at the top of the page. Then click on the page image to view "I'M PAINTING AS FAST AS I CAN". A white orchid watercolor painting will be displayed. Move to the right and click on the pink camellia. The showcase blog, "BRUSH, PAPER, WATER'' spotlights the watercolors of Genie Even.

A perusal of Chris' website is very worthwhile. Look at all of her work. It is bright, joyful, and very carefully executed. Scroll through her personal blog, "I'M PAINTING AS FAST AS I CAN". Then take the time to visit the links to all of the watercolor artists she has spotlighted These are artists who delight and inspire. I am honored and humbled to have my work displayed here.

Thank you, Chris!

A Favorite

Most of August and all of September have been full of activities not related to painting. My last "new" painting, "Birch Dishabille" was introduced in an early August post. The painting shown on this post is called "Crotons".

In this painting I used a limited palette of orange and blue pigments. To these I added a bit of quinacridone rose and yellow. The neutrals that appear as cool and warm browns are made from orange and blue. Since the leaf detail of the croton is busy, I kept the background a simple graded wash of blue. The image is 20 inches by 28 inches. Crotons has been in a Watercolor West exhibit and numerous other venues.

California in August

A beautiful day in San Diego, California, a wedding on the grass above the surf of Sunset Cliffs. My lovely granddaughter, Jessica, wed Dylan Bruce.

The surf below the wedding site.

Jessica with her proud father, Glen.

Jessica and Dylan

Mr. and Mrs. Dylan Bruce

This wedding was a wonderful gathering of family and friends. I had special moments with my three California "kids", Glen, Simon, and Diane. The day after the wedding we drove from San Diego to Los Gatos taking the coastal route. We stopped at Mission San Juan Capistrano and the Hearst Castle. The next weekend we were on the road again to Salt Point on California's Northern coast. At Salt Point we gathered with other members of the family and friends for a memorial service for Dan Even, a favorite nephew. Every year Dan, my sons, and a group of friends met at Salt Point for an abalone dive. The event had become a family tradition

Salt Point coastline, site of this year's abalone dive.

A Plaque in honor of Dan.

The gathering at Salt Point was very special. It was a reunion of many family members that I hadn't seen for years. It was a warm sharing of rememberances in honor of Dan.

"Birch Dishabille"

This is a newly finished watercolor painting of Birch trees. I like the look of the bark as it strips away from the trunk. I call this painting "Birch Dishabille" because the tree looks only partially dressed.

Linda Kemp Workshop

Examples of workshop exercises by Linda Kemp

A dark underpainting with berry detail added

A fern exercise: the initial leaf-like brush strokes (method: touch, press, lift) became the negative shapes between the fern sections. Note the "descriptive" detail on one portion of the fern.

This negative painting design was made over a wet-on-wet underpainting of diagonal strokes

Landscape cartoon #1 Note negative painting to reveal grass shapes

Landscape cartoon #2 Note negative painting to reveal tree trunks

Landsape cartoon #3 Note grass. tree. and mountain shapes

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In the middle of June I attended a very good workshop in Cookeville, Tennessee. The Tennessee Watercolor Society made it possible for artists in our area to experience the negative painting of Canadian artist Linda Kemp

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Most artists are aware of negative painting and use it occasionally in their work. In Linda Kemp's work negative painting is the main focus. She does not paint a positive shape: she paints "around" it to reveal the form. She led us through various exercises. She made it look easy. Her finished pieces are vibrant and exciting. Our simple exercises were struggles. We worked from 9 AM to 4 PM for four days. We took home a stack of unfinished exercises and happy remembrances.
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Linda works on plexi glass. For a wet-on-wet painting the paper is wet on both sides. It sticks to the plexi with no need for tape or staples. An underpainting is made by dipping a large flat brush into one color on one side and on another color on the other side ("double dipping"), then sweeping across the paper either in curved, vertical, horizontal, or diagonal strokes. It may be sprayed with water or splattered to get different effects. The dried underpaintings are the bases for future designs. We were told NOT to look for shapes in the underpaintings. The artist has control and determines what the design will be. Repeat the same colors used in the underpainting.

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We did exercises to illustrate value changes, hue changes, and intensity changes. We practiced simplifying shapes. A leaf could be made with two curving strokes with a large brush. That basic leaf shape would be given a "descriptive "edge by cutting notches with a smaller brush. Landscape shapes became symbols of houses, trees, hills, mountains.
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We did landscape cartoons. Starting with transparent staining pigment, such as raw sienna, we painted a foreground, covering the entire paper. After drying the first layer we painted the next layer using grass strokes that nipped into the foreground color. When the second layer was dry, a third layer was introduced using another simplified landscape feature. Layers repeat in this fashion to make the cartoon of grass, trees, hills, etc. Look at the three examples above.

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Another exercise was with a badger brush, a stiff bristled one-inch brush. Paper was wet on both sides. Then no more water was added. Using two colors on the brush, pigment was pushed downward with the flat of the brush. Successive layers of color were added to make undulating landscape forms. If the brush was too dry to move the pigment, a drop or two of water from the plexi could give enough moisture to continue. It was important not to get the brush too wet. The result is a soft, fused look of rolling hills and valleys. After the paper was dried, landscape shapes could be added.

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The following "Kempisms" were shared by a friend, Francie Entz. We heard these phrases often:

Colors you build with, you finish with

Harmony through unity

If you are naming it, you are probably working in the positive.

Build by value, light to dark, through hue change, intensity change, value change

Shapes and edges tell the story in a negative painting

Shape first, edge second

Captured negatives

The painter is in control of the painting

Touch, press, lift

Start with the thing closest to you

Kill or cure

A book of plans (not sketches)

Double dip

When in doubt, use cerulean

When in doubt, splatter

Don't do something wimpy ...go for it!

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Linda Kemp's book, "Watercolor Painting Outside the Lines ", is very informative. However, to best appreciate the marvelous color in her work, please look for Linda Kemp on the Internet.

Tree Study

Do you remember seeing this tree? It was first introduced in January, 2008, when I sent it to the Texas Watercolor Society. It was selected to be in the exhibition by the juror, Jeanne Dobie. It was a thrill to have an artist I admire select one of my paintings. I showed "Tree Study" on another post in March when I was notified that the painting had won a bronze medal and an impressive check for "Best Transparent Painting" in the Texas Watercolor Society exhibition.

On June 12th when I attended the reception for the Fountain City Art Center's Open Show I was surprised and delighted to see a "Best of Show" ribbon on the "Tree Study" painting.

Before The TWS show and the FCAC show I had entered "Tree Study" in another competition. It was the first time out for a very new painting. It was rejected. I accepted the juror's opinion, but decided to send the painting out into the art world for other reactions. I am so glad I did!

Leo the Lap-Leopard

A few weeks ago I was introduced to "Leo" by Shannon, a family friend. That was the first time I had heard of the Lap-Leopard, or Bengal breed of cat. The breed came from selective breeding of the Asian leopard cat and a domesticated cat through at least four generations. The result is a beautifully marked leopard-looking cat with a mellow, loving, playful personality. As Leo lay draped across Shannon's shoulder, he was purring. If only my painting had sound, you would hear his song

After meeting and painting Leo, I wanted to learn more about the breed. I "googled" and found several sites with good photos of Bengal Cats. The coloration of a Bengal may be brown, snow, or silver. The markings may be typical Leopard spots or a beautiful marbling.

I found many sources of information about the Lap-Leopard/Bengal Cat on the Internet. www.SantaFeCattery.com, www.pet-net.net/surprisevalley/aboutbengals, and www.kittysites/breed/bengal are three sites I "googled". There are many more with great kitty photos.

Introducing Oliver

This is Oliver, my daughter's cat, when he was a kitten. He was sweet, cuddly, and all a kitten should be. This painting was a gift for my daughter's birthday. It hangs in her home in La Crescenta, California. A few weeks ago while sorting through old pictures I found more kitten shots of Oliver. One of the photos captured the moment when he discovered his reflection in a mirror. That moment of challenge had to become a painting. The resulting watercolor is called "En Garde!"

In the past several years Oliver has grown to be a very large, mellow cat. His favorite activities

are eating and sleeping. His sleep is accompanied by a very distinctive Oliver "snore". He shares the afffection of my daughter and grand-daughter with a gentle Blue Merle Sheltie named Strider.

"Apple" and Merrick

The portraits shown on this post are of two African friends from Tanzania The young woman is Apollonia, known to friends as "Apple". Her husband is Merrick. They are the parents of a very young son and are expecting twin girls in a few weeks. The portraits are my gift to this young family. "Apple" is tall and elegant with perfect posture. Her skin is a rich chocolate hue. I think she is a wonderful subject. I would like to paint her again.

When I took photos of Apple, Merrick asked if I would take some of him also. Painting him was a joy. I had never tried to paint dark skin with facial hair. As I painted, I felt I was developing a new friendship with a charming personality.

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More Accepted Paintings

The two paintings shown on this post have been accepted in national exhibitions.

"Persimmon Bounty" was accepted by juror Ted Nuttall to be in the Georgia Watercolor Society's XXX National Exhibition at the Colquitt County Arts Center in Moultrie, Georgia, March 30 to May 25, 2009.

"Fuji Reflection" was selected by juror Laurin McCracken for the 39th International of the Louisiana Watercolor Society at Place St. Charles, New Orleans, Louisiana, May 9-29.


"Persimmon Bounty"

"Fuji Reflection"

Accepted Paintings

"Pre-teen Cool" was acepted by John Salminen to be in the California Watercolor Association 40th National Exhibition at the Presidio, San Francisco. March 18 - May 24, 2009.

"Fuji Reflection II" was selected by Judy Morris to be in the Watercolor Art Society 32nd International Exhibition at the WAS-H Gallery, Houston, March 6 - April 3, 2009.

" Waters of the Smokies II"

"Waters of the Smokies I"

Both of these water paintings were accepted in "InSight of the Smokies", a regional juried art exhibition to honor the 75th anniversary of The Great Smokie Mountains National Park.

"Magnolia III" was accepted by Frank Webb for the Gibson County Visual Arts

Association's Spring Show in Trenton, TN.

The above are four of the shows I have entered this year. I am waiting for the results of four more. If I am fortunate to be accepted, I will place those paintings on the blog as well.

A Portrait of Angella

The painting above is a portrait study of my daughter-in-law, Angella. I enjoyed working on this and hope to do more studies of her in the future.

Waters of the Smokies III

Waters of the Smokies III

The month of January has slipped by without a post on this blog. I have been preoccupied with selecting entries for several watercolor competitions, working on another water scene, and taking care of the obligations of a new year. I am very happy to report that one of my entries sent to the California Watercolor Association was accepted for the 40th National Exhibition to be held March 18 to May 24, 2009, at the Presidio in San Francisco. The juror was John Salminen. He chose my painting, "Pre-teen Cool", introduced in a July, 2008, post.

Yesterday I learned that a second painting, "Fuji Reflection II", has been selected by juror Judy Morris to be in the 32nd International Exhibition of the Watercolor Art Society-Houston March 6-April 3, 2009. "Fuji Reflection II" may be seen on the December, 2008, post.

The painting completed in January is "Waters of the Smokies III". During 2008 I did three other water paintings. Two of them are currently in a juried show at the Art Market Gallery in Knoxville, TN. The new painting is a variation of one done previously. I am pleased with the result.

Another "Fuji Reflection"

In December, 2007, while visiting in Los Gatos, California, I was introduced to blogging. I had an image in my digital camera of a new painting. The painting, Fuji Reflection, became the subject of my first post. A few months later in 2008 the painting was included in the 31st Exhibition of theTennessee Watercolor Exhibition in Knoxville, Tennessee. The juror, Cheng-Khee Chee, chose 60 paintings from the 213 that were submitted. I was very happy to have Fuji Reflection selected as one of the sixty. Look at the December post to view the first Fuji Reflection painting.

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Below is Fuji Reflection II, using the same apples, cloth, and silver pitcher as in Fuji Reflection I. I took many photos of the three Fuji apples, changing the arrangement of the apples and the cloth. The first Fuji painting was simply three apples on the striped tablecloth (see July Blog, A Wonderful Reception). The second painting used the pitcher for reflections The third painting is a variation of components. Those three apples have given me many happy painting hours

Introducing Ninja

This is my cat, Ninja. She is a black domestic short-haired feline, but in her manner she is a diva. She will be ten years old on Valentine's Day, 2009

She began her life with me in Los Gatos, California. In this first picture she has not yet had her first birthday. My sleek black girl loves her comforts. She likes boxes and soft fabrics. She at times is very aloof and at other times very needy. I read her eyes and her body language; she seems to understand many of my words and phrases. She is my treasured companion. Every Christmas season I feature Ninja on a Christmas card. So far there are ten cards.

Young Ninja

Christmas cards featuring Ninja.

Christmas 1999

Christmas 2000

Christmas 2001: Ninja with the Nutcrackers

Christmas 2002: In the Poinsettia forest

Christmas 2003: The snow in St. Louis

Christmas 2004: Cozy in Knoxville

Christmas 2005: Still cozy

Christmas 2006: Ninja in a pear tree

Christmas 2007: A box for Ninja

Merry Christmas 2008: Ninja and the Gingerbread creatures.